Friday, September 17, 2010

Where Is A Good Place To Buy A Snorkel?

"I took my belly blind"


"I wonder what will you do without me." With satisfaction I finally announced the latest departure, your pleasure consumed monstrous grin lit up on the cheeks emaciated that still recognize you without a new ground: an opportunity to hurt me, a new bet for the player obstinate, with renewed pleasure and unreasonably bitter although you might experience, for the first time, the insecure. All my life I had ignored the anguish of being human through, even at this t'avevo compensated for mitigating and finally gave up my dissent, collapsing on the compromise, which upheld the failure of Your indifference to any attempted revolt of mine, now buried, expressions. My ears will become deaf were ladies in waiting for your vanity accused of unnatural understanding and compassion you called, and ridiculed, annoyed, upset for what they did not understand, you were right, you never know how much I had learned with-holding-selflessly I was afraid. " But I wore short hair for you, with your long curly red m'aggrappavo, I had always been an extension of your dreams, free thought, swings for my-back-and when the time he had, of necessity, whitewashed me himself that he was certainly unnecessary to find reasons in the natural course of things, rather it was he who t'aveva betrayed, because you had been unfaithful - infidelity-you said to yourself,-was not true, you were not ever been, apprehensive, you always go along as you were the mother yourself, but swallowed the unrest and said nothing to stay beautiful, and then, you, you wanted to talk about for years, keep up the rhetoric of your monologue alcohol, whereas before you had to attend a party without an identity-to-vent begging that much unconditional love and silence, the grant and the bottle almost empty, a little at a time, dissatisfaction'd fall asleep quietly, and then I seemed to find half-smile as he points to the horizon bypassing my need for reward. My truth t'avevano, always anxious and angry, as a child I was a raging river, while my words flowed to every little discovery you withdraw, do not carry such news, and when, at that point, I saw you with a penny on an eye will collect funds to eat. In one of your nights
swollen with wine did you find the clarity to tell me - "life look for someone who is willing to bear the pain that we carry on your shoulder, it's like an identity, a legacy to hand down, I'm giving to the you know you love me enough to do with it the sole guarantor of good that makes us generous. But love is not enough. " Love is not enough, I knew I held my breath and almost could isolate from the world and your certainties, rejected the air, was the only possible revenge killing, I would deny you love escaping my presence, but, finally, remember that the dead are forgotten, and I saw you stroking the walls of your room, with closed eyes told me to listen to the echo of your ancestors, found in your unknown dead from the words of old. I was
mother, son, butler, father, friend, sister, friend, servant. I isolated myself and I showed my loneliness t'accorgessi why not yours, you was funny more than you learned when you needed to learn. Because I umiliai not felt your humiliation.

Even now, entering the house, it seems to me to come and disturb your habits, I still feel like a guest in my house. I chipped dishes, cups chipped and can not give you the most trouble now, I give, I tell a story of which they are only witnesses. The eggs in the fridge you have survived.
I have forgiven the hatred I felt for you. I was able to explain the relief for your death often said that you were removed from future harm, relief for a justice invisible to many. Forgiveness has mitigated the many questions that I have never placed. Did I forgive her for not being happy with me and then I went to look in places that resemble you. I came to the world to satisfy you. The house has changed, not recognizing the new small marks on the walls, floors, but there is a point where the smell is left unchanged, preserved thee. Often, because it takes my fear-May-opinion polls say that suicides increase during the spring so I'm going to pick your strawberries in the garden and find that your order consists of aristocratic and so I see the Spring of others. When I cherish always take care to keep them away from the jam, are habits that I lost, designed to provoke your laughter of superiority. But is not your fault, Mom, it's just that you have not had time to wish for a child, I came in spite of yourself. You told me, often, that many women choose not to be fertilized because they are afraid of giving birth to a Christ.


by the 'gaze enchanted "hosted by Art at the cube in 2010 from 18 September to the cloister of the former high school Gulli and Via A. Pennisi
of Sangiuliano, 15 Acireale, Catania

Monica Roccaforte Best Movie

Inauguration Project gaze enchanted "hosted by THE CUBE ART births for 2010


ART AT THE CUBE 2010 - THE PROGRAM
When: from September 3 to October 9, 2010 - 18:00
Where: Various locations - Various venues
Price: free admission
What is this? Concerts - Meetings - Exhibitions - Projections - Reading
Art, history, literature, cinema, music, poetry and literature. These are the ingredients of the fourth edition of ART AT THE CUBE, event organized by the Arts and Events Cube TRIBE Cooperative Society.

Art Cube to 2010 weaves a variety of languages \u200b\u200b(art, history, literature, cinema, music, poetry and literature) in an immersive format, divided into: exhibitions, lounges cultural, musical performances, video screenings, poetry readings and debates. The event will take place between September 3 and October 9, 2010 in the historic location of Paternò (Gallery of Modern Art and the Norman castle), Ripon (Park Kent) and Acireale (Gulli and former high school Pennisi), is organized by 'Cultural and Social Promotion Association - Art in the Cube Events (www.artealcuboeventi.it) TRIBE and Co-operative Society (www.tribearl.it).

During the events there will be a stand of the Provincial Committee for UNICEF in Catania, which will provide information and proceed with a fundraiser for the flood victims of Pakistan, where more than 3.5 million children are at risk.

The event takes place with the support of the Province of Catania and the town of Acireale, and with the sponsorship of Paterno, the City of Ripon, of the Faculty of Education - Department of educational processes and the moral support of the Provincial Committee for UNICEF in Catania. Media Partner of the event are: TRIBE ART / The monthly guide to art events in Sicily (Www.tribeart.it) Ink Monthly, NEXTLINK (www.nxtlink.it) TRIBENET - The Tribe Italian Art (www.tribenet.it).


gaze enchanted
Holy Mangiameli Photography, text by Sandra Quagliata

"I left my country, that country is only one season, a day begins with the awareness of a purpose, that cycle where we are going inhumanly Every saint return to dance, I then re-start, and if I let life is on the line, if it was for me and for him that line as a set of infinite points, then I embraced her. My country is a waltz, old and rosaries in hand, women face wet with water santa Schopenhauer while holding between the stomach and intestines. "Sandra Quagliata.

Holy Mangiameli: http://www.flickr.com/photos/santo_mangiameli/

Sandra Quagliata: http://sandraq85.blogspot.com/

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C AT ANIA * Equidae / LOSGUARDOINCANTATO

Half store, half the gallery. Equidae is the new space Via S. Michele 20 to Catania, from June 29 to July 29, invites us to join in "The gaze enchanted" the exhibition consists of seven polyptychs in which the photographs of Santo Mangiameli dialogue with the texts of Sandra Quagliata. L ' exhibition was a baggage "innate memory" and "attempt to write with light". In these words is the sign of the Platonic Idea descent into matter, of light in space. A dizzying descent "for posting" sometimes dramatic, as in I left my country, which tells the day by two images of a bum, at other times playful, full of emotions, feelings, conjecture, noises and sounds "(from Souvenir dans le noir: six pictures in which children play among the rides and a pier for boats). The choice of subjects (migrants, marginalized) is not linked only to a social message, but especially the idea of \u200b\u200bmigration, the flâneur: any change in minimum recorded by the lens and the pen is trying to portray a moment of crossing. In "Awkwardly, forever yours" two pictures show two children who compete for a package of snacks: you immediately notice the curl of the pack. It is an "element of noise in the picture replicated by analogy, in the wrinkles of a woman toothless smiles in front of a church. Love is sacred, eternal, clumsily through the noise of reality, its ripples. The tension is eating up all the Platonic minimum stretch in the slightest sign of the passing of time: the action (bridge between word and image). The look is enchanted by the two artists all addressed to the infinitely small. The act recorded is "distracted", is "quasi-manifesto [...] unknown, the quasi-beloved, almost-forgotten" (from Like a new dress). It's a gesture that in the eternal battle cry seems light-shadows, whispering, then silence, "how can I bear such night?" Wrote Ungaretti.

Richard Raymond - July-August 2010 TribeArt